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October 16, 2006
On the back cover of the novel . . .
This appears on the back of the advance reading copy of Grey:
In a world pushed beyond the moral simplicity of black and white, all that survives is Grey.
For Michael Rivers, life is perfect. Michael has everything: he is tall, handsome, and famous, worshipped by billions of fans around the globe. He is wealthy beyond measure, the heir apparent to RiverGroup, one of the handful of high-tech corporations that controls the world. He is fashionable, setting trends with his wardrobe of immaculate designer suits, each a unique and celebrated work of art. And Michael is in love—a perfect love, sharing a private language based entirely on quotes from the latest fashion magazine advertisement—with Nora, his beautiful, witty, and equally perfect fiancée, the only woman with whom he can see surgically altered monochromatic eye to eye.
When an assassin’s bullets pierce Michael’s body before the unblinking eyes of cameras, reporters, and viewers at a press junket, everything changes, forcing Michael to question his previously perfect world. Illusions shattered and forcibly separated from Nora, Michael seeks to uncover the reasons behind the attempted assassination, embarking on a quest that lead him to question his relationship with his loud, profane, and narcissistically Ultra father; his estranged mother; and the perilous, contaminated, neo-feudalistic world that lies beyond the safe and protected bubble of corporate family life.
Michael must delve deep into his past, finding that all paths seem to lead to the now-closed PartyHaus, and to a time when he was the golden boy, dancing furiously to the beat of the notorious all-night Rage parties thrown by his father. High fashion, corporate malfeasance, celebrity culture, and a media obsessed with the Next Big Thing collide with exuberant violence and volatile intensity in Grey, the explosive debut novel by newcomer Jon Armstrong.
Posted by Jon at October 16, 2006 03:18 PM